Release Date: Jan 17, 2025
Genre(s): Pop/Rock
Record label: Fat Possum Records
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'I touch the edge of it / Just a glimpse of it / My own life, I guess', Tamara Lindeman sings amid a whirlwind of flutes on The Weather Station's new album. After exploring climate grief on 2021's acclaimed Ignorance, the Canadian songwriter, who started the band in 2006, experienced a period of chronic depersonalisation. At the heart of her seventh LP, Humanhood, is the desire to get back to the self, to reclaim both individual and collective humanhood.
The notes to the Weather Station’s seventh album declare, “This record was performed by six musicians improvising live off the floor in two sessions in late 2023. This band shaped the music indelibly in form, arrangement, mood, and feeling.” In other words, it is not a Tamara Lindeman solo release. Linderman is the lead singer and composer as well as piano, synth, and Mellotron player.
It's been four years since Tamara Lindeman enthralled us with her mature odyssey of songwriting ‘Ignorance’. The next year, an album of songs recorded during those same sessions arrived, not quite capturing the same magic as its predecessor. In the world of The Weather Station, balance is everything while also being very fragile indeed.
The Weather Station's seventh studio album, Humanhood, is prickly and less accessible than the Canadian band's previous work, reflecting their determination to innovate. The group's folk leanings still crop up in their Joni Mitchell-esque melodies, but the sound feels more fleshed out and the production is more layered. Frontwoman Tamara Lindeman sings more forcefully now, and drummer Kieran Adams achieves a rhythmic complexity by integrating live and programmed beats.
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